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Commercial production, music videos, branded filmmaking, compressed schedules, and image-making outside features and television.
Cinematographer John Mathieson, BSC began his career shooting music videos for bands like Nirvana and Hole, moving into documentaries and commercials before working in feature films. Rather than going to film school, he joined friends who formed a film collective and everyone learned from each other. Director Ridley Scott saw…
The Thicket is a gritty Western thriller that follows a young man's quest to rescue his kidnapped sister from the clutches of the notorious Cut Throat Bill (Juliette Lewis). With a ragtag group of outcasts and the aid of the skilled bounty hunter Reginald Jones (Peter Dinklage), he embarks on a perilous journey through the…
The critically acclaimed horror movie Late Night With the Devil blends found-footage, mockumentary and 1970s late-night television into a movie with genuine scares. Cinematographer Matthew Temple, ACS used shaky camerawork, close-ups, and multiple video sources to add to the feeling of watching “behind the scenes” documentary…
Kyle Roberts is a DP working in Birmingham, Alabama. One of the important aspects of working in a smaller market is to be skilled enough to function in multiple roles depending on what each project demands. “I'm a big problem solver,” says Kyle. “I feel like my career has taken off mainly because I'm the guy that can not just…
For the second season of the Marvel series Loki, cinematographer Isaac Bauman decided to bring his own unique look to the show, especially when it came to the lighting design. Loki Season 1 DP Autumn Durald Arkapaw, ASC brought a lot of herself and her own unique look to the show. But Isaac feels that his approach to…
Jon Joffin, ASC has learned the importance of staying creative, committed and inspired during shoots. In his long career as a cinematographer, Jon has learned how to work on a team, manage people, and surround himself with those who really care about their craft. When he was first starting out, Jon was hired as a second unit…
As a partner and commercial agent at WPA- Worldwide Production Agency- Trevor Kossack represents directors, cinematographers, production designers, editors and costume designers. Trevor has a passion for those responsible for crafting the images that make movies, television shows and commercials. Trevor first studied medicine…
When cinematographer Larkin Seiple first saw the script for Everything Everywhere All At Once he thought: This is very long and how in the world are we going to shoot this? But having worked with directing team Daniel Kwan and Daniel Scheinert (known collectively as Daniels) for ten years, he knew the film would be unique,…
Special: The Cinematography Podcast- War Stories Vol. 6 In our sixth War Stories Special, we feature twelve guest's harrowing, hilarious, heartbreaking or heartwarming stories they had while on set, or a formative career experience that led them to the film industry. Find full interviews with each of our featured guests in our…
Cinematographer Dariusz Wolski prefers to take a realistic, documentary approach to most of the movies he shoots. His latest film, the western News of the World, is primarily shot outside using natural light, in a style Dariusz likes to call “well-observed” documentary. As with many of director Paul Greengrass's films, News of…
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